Cläre’s PaIntings emerge from a process-led response to shifting landscapes. Rather than literal depiction they distil traces of wind, water and time into abstract gestures of movement and memory using a range of tools and materials. Observation begins the work: repeated visits, quick sketches and gathering souvenirs. In the studio this material is considered, not copied. Paint is layered and sometimes eroded; marks are made and partly removed; pigments interact unpredictably — mirroring the landscape’s accretion, abrasion and exposure. Line maps tracing shapes underpin brush work; texture develops through Sgraffito, scumbling and impasto. The paintings invite the viewer to dwell between observation and feeling, sensing weathering more than reading a scene. Each piece records process — a dialogue with the landscape’s remaking — and honours the transient, resilient beauty of change.